Murder Most Foul

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Accordi Murder Most Foul

Intro:
DO
FA/DO
DO
FA/DO
Twas a dark day in Dallas, November '63
DO
FA/DO
A day that will live on in infamy
DO
President Kennedy was a-ridin' high
FA/DO
Good day to be livin' and a good day to die
DO
Being led to the slaughter like a sacrificial lamb
FA/DO
He said, "Wait a minute, boys, you know who I am?"
SOL7
"Of course we do, we know who you are"
FA
Then they blew off his head while he was still in the car
DO
Shot down like a dog in broad daylight
FA/DO
Was a matter of timing and the timing was right
DO
FA/DO
You got unpaid debts, we've come to collect We're gonna kill you with hatred,
DO
FA
without any respect
SOL
We'll mock you and shock you
FA
and we'll put it in your face We've already got someone here to take your place
DO
The day they blew out the brains of the king
FA
Thousands were watchin', no one saw a thing
DO
It happened so quickly, so quick, by surprise
FA
Right there in front of everyone's eyes
SOL
Greatest magic trick ever under the sun
FA
Perfectly executed, skillfully done
DO
FA
Wolfman, oh Wolfman, oh Wolfman, howl
DO
FA
Rub-a-dub-dub, it's a murder most foul
DO
Hush, little children, you'll understand
FA
The Beatles are comin', they're gonna hold your hand
DO
FA
Slide down the banister, go get your coat
DO
Ferry 'cross the Mersey and go for the throat
SOL
There's three bums comin' all dressed in rags
FA
Pick up the pieces and lower the flags
SOL
I'm goin' to Woodstock, it's the Aquarian Age
FA
Then I'll go to Altamont and sit near the stage
DO
Put your head out the window,
FA
let the good times roll
DO
There's a party goin' on behind the Grassy Knoll
FA/DO
DO
Stack up the bricks, pour the cement
FA/DO
Don't say Dallas don't love you, Mr. President
SOL
Put your foot in the tank and step on the gas
FA
Try to make it to the triple underpass
SOL
Blackface singer, whiteface clown
FA
Better not show your faces after the sun goes down
DO
I'm in the red-light district,
FA
like a cop on the beat
DO
FA
Livin' in a nightmare on Elm Street
DO
When you're down in Deep Ellum,
FA
put your money in your shoe
DO
FA
Don't ask what your country can do for you
SOL
FA
Cash on the barrelhead, money to burn
SOL
FA
Dealey Plaza, make a left-hand turn
DO
FA
I'm goin' down to the crossroads, gonna flag a ride
DO
FA
The place where faith, hope, and charity died
SOL
Shoot him while he runs, boy,
FA
shoot him while you can
SOL
See if you can shoot the invisible man
FA
Goodbye, Charlie, goodbye, Uncle Sam
DO
FA
Frankly, Miss Scarlet, I don't give a damn
SOL
FA
What is the truth, and where did it go?
SOL
FA
Ask Oswald and Ruby, they oughta know
DO
FA
"Shut your mouth, " said the wise old owl
DO
FA
Business is business, and it's a murder most foul
DO
FA/DO
DO
FA/DO
DO
FA
Tommy, can you hear me? I'm the Acid Queen
DO
FA
I'm riding in a long, black Lincoln limousine
DO
FA
Riding in the backseat next to my wife
DO
FA
Heading straight on in to the afterlife
SOL
FA
I'm leaning to the left, I got my head in her lap
SOL
FA
Hold on, I've been led into some kind of a trap
DO
FA
Where we ask no quarter, and no quarter do we give
DO
We're right down the street
FA
from the street where you live
DO
FA
They mutilated his body and they took out his brain
DO
FA
What more could they do? They piled on the pain But his soul's not there where it was supposed to be at For the last fifty years they've been searchin' for that
SOL
FA
Freedom, oh freedom, freedom over me
SOL
I hate to tell you, mister,
FA
but only dead men are free
DO
FA
Send me some lovin', tell me no lies
DO
FA
Throw the gun in the gutter and walk on by
DO
FA
Wake up, little Suzie, let's go for a drive
DO
FA
Cross the Trinity River, let's keep hope alive
DO
FA
Turn the radio on, don't touch the dials
DO
FA
Parkland hospital, only six more miles
DO
You got me dizzy, Miss Lizzy, you filled me with lead
FA
DO
That magic bullet of yours has gone to my head
SOL
FA
I'm just a patsy like Patsy Cline
SOL
FA
Never shot anyone from in front or behind
SOL
FA
Got blood in my eye, got blood in my ear
SOL
FA
I'm never gonna make it to the new frontier
DO
FA
Zapruder's film, I've seen that before
DO
FA
Seen it thirty-three times, maybe more
DO
FA
It's vile and deceitful, it's cruel and it's mean
DO
FA
Ugliest thing that you ever have seen
DO
FA
They killed him once and they killed him twice
DO
FA
Killed him like a human sacrifice
SOL
The day that they killed him,
FA
someone said to me, "Son
SOL
FA
The age of the Antichrist has just only begun"
DO
FA
Air Force One comin' in through the gate
DO
FA
Johnson sworn in at 2:38
DO
FA
Let me know when you decide to throw in the towel
DO
FA
It is what it is, and it's murder most foul
DO
FA/DO
DO
FA/DO
DO
FA
What's new, pussycat? What'd I say?
DO
FA
I said the soul of a nation been torn away
DO
FA
And it's beginning to go into a slow decay
DO
FA
And that it's thirty-six hours past Judgment Day
SOL
FA
Wolfman Jack, he's speaking in tongues
SOL
FA
He's going on and on at the top of his lungs
DO
FA
Play me a song, Mr. Wolfman Jack
DO
Play it for me in my long Cadillac
FA
Play me that, "Only The Good Die Young"
DO
FA
Take me to the place Tom Dooley was hung
DO
Play, "St. James Infirmary" and,
FA
"The Port of King James"
DO
If you want to remember,
FA
you better write down the names
DO
FA
Play Etta James, too, play "I'd Rather Go Blind"
DO
FA
Play it for the man with the telepathic mind
SOL
FA
Play John Lee Hooker, play "Scratch My Back"
SOL
FA
Play it for that strip club owner named Jack
SOL
FA
Guitar Slim going down slow
DO
FA
Play it for me and for Marilyn Monroe
DO
FA
DO
Play, "Please Don't Let Me Be Misunderstood"
FA
Play it for the First Lady,
DO
she ain't feeling any good
FA
Play Don Henley, play Glenn Frey
DO
Take it to the limit and let it go by
FA
Play it for Carl Wilson, too
DO
Looking far, far away down Gower Avenue
FA
Play, "Tragedy" play, "Twilight Time" Take me back to Tulsa to the scene of the crime
SOL
FA
Play another one and, "Another One Bites the Dust" Play, "The Old Rugged Cross" and, "In God We Trust"
SOL
Ride the pink horse down that long, lonesome road
FA
Stand there and wait for his head to explode
DO
FA
Play, "Mystery Train" for Mr. Mystery
DO
FA
The man who fell down dead like a rootless tree
DO
Play it for the Reverend, play it for the Pastor
FA
Play it for the dog that got no master
DO
FA
Play Oscar Peterson, play Stan Getz
DO
FA
Play, "Blue Sky", play Dickey Betts
SOL
FA
Play Hot Pepper, Thelonious Monk
SOL
FA
Charlie Parker and all that junk All that junk and, "All That Jazz"
DO
FA
Play something for the Birdman of Alcatraz
DO
FA
Play Buster Keaton, play Harold Lloyd
DO
FA
Play Bugsy Siegel, play Pretty Boy Floyd
SOL
FA
Play the numbers , play the odds
SOL
FA
Play, "Cry Me A River" for the Lord of the gods
DO
FA
Play Number Nine, play Number Six
DO
FA
Play it for Lindsey and Stevie Nicks
DO
FA
Play Nat King Cole, play, "Nature Boy"
DO
FA
Play, "Down In The Boondocks" for Terry Malloy
SOL
FA
Play, "It Happened One Night" and, "One Night of Sin"
SOL
FA
There's twelve million souls that are listening in
SOL
FA
Play, "Merchant to Venice" play, "Merchants of Death"
SOL
FA
Play, "Stella by Starlight" for Lady Macbeth
DO
FA
Don't worry, Mr. President, help's on the way
DO
Your brothers are coming, there'll be hell to pay Brothers? What brothers? What's this about hell?
FA
Tell them, "We're waiting, keep coming"
DO
FA/DO
We'll get them as well
SOL
FA
Love Field is where his plane touched down
SOL
FA
But it never did get back up off the ground
SOL
FA
Was a hard act to follow, second to none
SOL
FA
They killed him on the altar of the rising sun
DO
FA
Play, "Misty" for me and, "That Old Devil Moon"
DO
FA
Play, "Anything Goes" and, "Memphis in June"
DO
FA
Play, "Lonely At the Top" and, "Lonely Are the Brave"
DO
FA
Play it for Houdini spinning around his grave
DO
FA
Play Jelly Roll Morton, play, "Lucille"
DO
FA
Play, "Deep In a Dream" and play "Driving Wheel"
SOL
FA
Play, "Moonlight Sonata" in F-sharp
SOL
FA
And, "A Key To The Highway" for the king of the harp
DO
Play, "Marching Through Georgia" and,
FA
"Dumbaroton's Drums"
DO
FA
Play, "Darkness" and death will come when it comes
DO
FA
Play, "Love Me Or Leave Me" by the great Bud Powell
DO
Play, "The Blood-stained Banner" play,
FA
"Murder Most Foul"
DO
FA
DO
FA
DO

Credits

Credits Autore: DYLAN BOB Copyright: © SONY/ATV MUSIC PUBLISHING

🎓

Come Imparare Questa Canzone

🎵 Pop🎵 Rock

💡 Consigli per Imparare

  • ✅ Questa versione non richiede capotasto - perfetta per suonare in tonalità originale ovunque tu sia.
  • 📈 Livello intermedio - ottima per migliorare! Inizia con tempo lento usando un metronomo (60 BPM), poi aumenta gradualmente.
  • 🎸 Barrè richiesti: FA, FA/DO, SI. Posiziona il pollice a metà del retro del manico per massimizzare la pressione. Se le corde non suonano tutte, prova a ruotare leggermente il dito.
  • 🔄 Transizione critica DO→FA: Mantieni il dito medio sulla seconda corda 2° tasto durante il cambio
  • 🎵 Questa canzone usa slash chords (es. DO/SOL). Assicurati di suonare la nota al basso indicata dopo la "/" con il pollice o plettro.
  • ✨ 3 accordi complessi rilevati. Clicca "Semplifica" per sostituirli con versioni più facili mantenendo il suono generale della canzone.
  • 🔧 Se trovi la tonalità troppo difficile, usa i pulsanti [+]/[-] per trasporre su accordi più comodi. Prova -1 o +1 semitono per eliminare alcuni barrè.

🎵 Pattern di Strumming Suggerito

Giù-Su-Giù-Su-Giù-Su-Giù-Su (rock continuo)

Alternativa: Palm muting sulla corda bassa

⚠️ Errori Comuni da Evitare

  • ❌ FA: Errore comune - barrè debole. Soluzione: posiziona il dito indice vicino al tasto metallico (non al centro) e usa il peso del braccio, non solo la forza delle dita.
  • ❌ FA/DO: Errore comune - barrè debole. Soluzione: posiziona il dito indice vicino al tasto metallico (non al centro) e usa il peso del braccio, non solo la forza delle dita.
  • ⚠️ Cambio DO→FA: Mantieni il dito medio sulla seconda corda 2° tasto durante il cambio
  • 🎼 Accordi di settima: La nota "7" è sempre un tono sotto la tonica (es. in LA7, la settima è SOL). Non confondere con le major seventh!